Originally called "Aztec" before I decided Quetzal sounded cooler, the track was finished in around October of 2018, so I don't remember my design process for this track as clearly as I remembered Halcyon's. If I do recall correctly, it was more of an exploration into automation of effects and texture-layering, especially in the middle of this track.

I think Quetzal was also an attempt at producing a progressive acid house track, with enough textures to be engaging to the listener for about 10 minutes. I believe I started with adding sounds at the 3-minute mark, and added the squelchy square wave synth triplet leading up to the 3-minute mark later.

Every track I've done is eclectic and experimental, and Quetzal is no exception. I just played around with sounds until I got something I liked. The result was something that sounded really cool to me, which motivated me to finish Quetzal.

Constructive criticism is always welcomed!