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MOULE, a rainbow anthropomorphic cartoon mule with black shaggy hair and hoodie, smiling and dancing in front of a rainbow gradient background.

MOULE

Soundtracking the MOULE WORLD and the cartoon animal characters in it with multi-genre electronic music! Welcome to my new self-hosted music site thanks to Faircamp!

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The cover artwork of Honey Badger Energy, showing the MOULE WORLD character Honey (A.K.A. HUNNY BADJA), an anthropomorphic cartoon punk honey badger wheelchair user. She's got an angry expression, looking towards the viewer with her pierced eyebrows at a scornful angle, her mouth wide open with her sharp teeth bared, and both her middle fingers raised showing pink claws. She's also got spiky hair with pink tips, pink earrings, and a battle jacket with pink spikes across its shoulders and sleeves, a grey vest, adorned with buttons and patches such as the Fediverse rainbow star, the disability pride flag, the feminism and anarchy symbols, an anti-Bugs symbol which can be interpreted as anti-AI, and an intersex-inclusive progress pride flag. There's a lot of detail in terms of subtle shadows, scratch marks and a sketchy texture overlaid over the whole image. Honey sits in front of a grey brick wall background, separated by thick black and white contour lines, with a vignette surrounding the cover artwork and the MOULE Y2K-aesthetic font logo in pink in the upper-left corner. The words "HONEY BADGER ENERGY" is written in pink marker at the bottom outlined with black and white contour lines. Honey Badger Energy
2024 OVERWHELM's cover art, which is a black-and-grey chaotic cartoon collage of the events of the second half of 2024. There's way too much to describe here, but it depicts auroras, flooding, a nuclear power plant powering an AI data centre, the resurgence of measles, the ongoing spread of mpox, long COVID, and the H5N1 bird flu strain, the U.S. election results and the elimination of civil liberties, the war in Ukraine, and at the centre of a giant spiral taking up most of the cover artwork is Earth with over 1.5ºC global warming. 2024 OVERWHELM
The cover artwork of Snow Way, showing Brook the white Alaskan Malamute wearing blue snow gear, riding a blue snowboard doing a nose-grab in front of mountains and trees at the titular snow sports resort. Snow Way
The cover artwork of Recovery showing Delgado the bull in a hospital bed surrounded by the Cyber Threat Resistance League looking at him sadly, while Æmber the doctor badger provides a medical prognosis. Recovery
The cover artwork of Prime showing Catherine the anthropomorphic cartoon quokka wearing a lab coat happily reaching upwards towards really huge prime numbers. Prime
The cover artwork of The Bugs, a mostly green-and-black cover artwork showing numerous insects on pop-up windows. At the centre is a giant spider on a globe, the symbol of the titular rogue malware. The Bugs
The cover artwork of O-Range showing Count Chiroptera, an anthropomorphic cartoon bat dressed like a vampire, happily picking oranges from his titular orchard. O-Range
The cover artwork of Gone Fishing showing Robin the fox, Robert the rabbit, and Mersey the penguin, the latter teaching them how to fish on a dock by a lake. Gone Fishing
The cover artwork of Where's Rocky? showing a crowd of Rocky clones, some looking very similar to the original Rocky the raccoon, while others have features like upside-down heads and numerous eyes and arms. Where's Rocky?
The cover artwork of Cervid Cycling Club showing the three deer in it – red Fred, blue Doris, and yellow Velo – riding track bikes. Doris annoys Fred by honking a squeaky horn in his ear. They all ride along bands corresponding to their jersey and bike colour against a white background. Cervid Cycling Club
The cover artwork of Department of Computation showing Strattzr giving Catherine his gaming computer, while Oskar works on the Quokkahertz supercomputer in the background. Department of Computation
The cover artwork of 2024 OVERFLOW showing the events of the first half of 2024, such as a solar eclipse, auroras, flooding, and war, as a chaotic black-and-teal cartoon collage. 2024 OVERFLOW
The cover artwork of Rage Quit showing PWNZR the anthropomorphic cartoon gamer fox angrily smashing his keyboard against his monitor while keys fly everywhere, and spilling his energy drunk all over his desk. Rage Quit
The cover artwork of Endgame showing the two foxes OpDaMyZr and PWNZR angrily staring each other down in a video game "versus" screen with "FvF" (Fox versus Fox) in the middle. FvF
The cover artwork I made for my album GLHF. It shows three anthropomorphic cartoon foxes standing and wearing open dark grey vests fringed with orange, showing white t-shirts underneath with the GLHF hexagonal fox face logo, and black pants. They stand on a giant block with "GLHF" in block font written across it. From left-to-right – Strattzr, OpDaMyZr, and PWNZR (pronounced "pone-zur") respectively – they all wear different-patterned headsets with the numbers 15, 6, and 24 on them respectively. Strattzr thinks deeply while adjusts his headset standing in front of data graphs. OpDaMyZr jumps happily punching the air with his right fist. PWNZR excitedly brandishes two ray guns in front of explosions, fireballs, and warplanes. Behind them all is an orange background showing computer circuitry with rays of light coming from the middle and a row of fire below that. The GLHF hexagonal fox face logo appears again, next to the left and right sides of the album, with "GLHF Album" written below in slanted square blocky orange-and-white font outlined with black. The background is a faded, glitchier version of the cover artwork. GLHF (Album)
The cover artwork of FOXR Sleep Mode showing a slightly glitchy black and green user interface of a FOXR headset with bugs crawling all over a green grid. FOXR Sleep Mode
The cover artwork of Glitchnastics showing OpDaMyZr the fox falling backwards into a glitchy colourful pixelated background. Glitchnastics
The cover artwork of Endgame showing the two foxes Robin and Strattzr playing chess. Endgame
The cover artwork of ROFLSTOMP showing PWNZR the anthropomorphic cartoon gamer fox excitedly posing in front of a huge explosion of fireballs and warplanes while wielding two ray guns. The cover artwork is mostly orange-coloured. ROFLSTOMP
The cover artwork of No Items, Fox Only showing the anthropomorphic gamer foxes OpDaMyZr, Strattzr and PWNZR, all wearing black jackets and FOXR VR headsets resting on their foreheads. OpDaMyZr and PWNZR angrily butt FOXR headsets as OpDaMyZr points accusingly at PWNZR and yells at him, while PWNZR grits his teeth and shakes his fists in rage. Strattzr in the middle pushes them both apart, while looking very annoyed himself. No Items, Fox Only
The cover artwork of Webpunks showing numerous anthropomorphic cartoon animal characters in a busy artwork all using technologies to block ads, bypass paywalls, flex their right to repair, raise awareness of scams, and counter hate and disinformation. Webpunks
The cover artwork of CTRL+ALT+DELGADO showing Delgado the bull madly running out of his prison cell he smashed open as the environment turns red, while also showing a blockchain map showing Melody and Lampy help work to get his authentication token into an address they can control allowing him to be freed. CTRL+ALT+DELGADO
The cover artwork of Kaizopocalypse, pixel artwork showing OpDaMyZr in a kaizo video game level with lots of enclosed spaces full of spikes, bullets and saw blades. Kaizopocalypse
The cover artwork of The Labyrinth showing Delgado the anthropomorphic cartoon bull in a blue-gradient-coloured prison cell surrounded by blockchain addresses with arrows and Delcoin symbols showing their transaction paths. Even the title "The Labyrinth" is shaped like a maze. The Labyrinth
The cover artwork of HASTY HASTY HASTY HASTY showing OpDaMyZr the fox running excitedly and jumping over the MOULE logo as the words "HASTY" surround him and the yellow background. HASTY HASTY HASTY HASTY
The cover artwork of Lampy, showing the titular blue-coloured AI butterfly in a mostly blue and yellow and white grid of hexadecimal blockchain addresses, identified with a CTRL magnifying glass. Lampy
The cover artwork of FOXR, showing OpDaMyZr and PWNZR the foxes in a VR world wearing FOXR VR headsets, as viewed from Strattzr's FOXR VR headset. FOXR
The cover artwork of Leaper (Remix) showing Robert the rabbit jumping in front of the date February 29. The cover art is colour-shamed red, yellow, teal, and dark blue. Leaper (Remix)
The cover artwork of Many Moves Ahead showing Strattzr the fox using his FOXR VR headset to envision himself a few squares ahead on a checkerboard-patterned zig-zag path, with computer circuitry in the background. Many Moves Ahead
The cover artwork of Extratone Beauty Cream, styled like an exciting advertisement for a new product, showing Hyper Hyena holding the titular cream. The cover art has a bold colour scheme of purple, white, and lime green. Extratone Beauty Cream
The cover artwork of The Winner's Softlock showing OpDaMyZr the anthropomorphic cartoon fox in a sea of gold coins looking annoyed as game chat and speedrun times are also shown, showing a huge delay in his speedrunning because he's constantly getting 2,147,483,647 coins. The Winner's Softlock
The cover artwork of Halcyon (Remix), showing a CMYK-colour-schemed geometric common kingfisher flying rightwards. Halcyon (Remix)
The cover artwork of Hundred, showing the MOULE logo, a mule's head sticking out of a circle, rainbow-coloured and made up of the titles of all the MOULE releases leading up to itself. Hundred
The cover artwork of 2023 OVERHEAT showing the events of the second half of 2023 in a black-and-orange chaotic cartoon collage. 2023 OVERHEAT
The cover artwork of Cyber Threat Resistance League, showing the anthropomorphic cartoon animal characters Melody, Mei, Oskar, and Robin at their laptops in a room with six monitors in the background with serious expressions on their faces. Cyber Threat Resistance League
The cover artwork of The Crypt, showing a spider on a web symbol with a padlock in the middle against a liminal space checkered hallway, with subtle glitch effects and hexadecimal characters added. The title "The Crypt" looks like a captcha with a squiggly line going through it. The Crypt
The cover artwork of Dead Internet showing Cockburn the anthropomorphic cartoon bear surrounded by online pop-ups. The cover artwork has a vapourware aesthetic and has lots of pastel purples and cyans. Dead Internet
The cover artwork of Prowler showing Amanda the anthropomorphic cartoon cat sneaking beside the Smellville store to attack Tom the bear riding on his skateboard. Prowler
The cover artwork of Squirrel Overboard, showing Oskar the anthropomorphic cartoon squirrel with a metallic left side of his face and cone-shaped metallic antenna, after falling off the Organic Streams cruise ship and hastily swimming to safety while surrounded by sharks, looking scared. Squirrel Overboard
The cover artwork of Æmberlance, showing Æmber the doctor badger crying as she drives her titular amber-coloured ambulance to the hospital with an unconscious Rocky the Raccoon in the back. The background shows some waterslides. Æmberlance
The cover artwork of Reality Collapse, showing two anthropomorphic cartoon foxes in an orange-and-black virtual reality world on fire. Reality Collapse
The cover artwork of 2023 OVERRULE, showing the events of the first half of 2023 such as the rise of AI as a chaotic purple-and-black cartoon collage. 2023 OVERRULE
The cover artwork of 10000 OVERKILL showing MOULE the turquoise anthropomorphic blue-hoodie-wearing cartoon mule evilly grinning and snapping the cover art of his previous fastest track "2020 OVERKILL" in half in front of a stormy sky. 10000 OVERKILL
The cover artwork of Fediverse showing the symbol of the Fediverse, a rainbow pentagram of five different-coloured balls where all balls interconnect, with an anthropomorphic cartoon animal character on each ball. Fediverse
The cover artwork of Bad Luck showing Delgado the anthropomorphic cartoon bull wearing a blue plaid buttoned long-sleeved shirt and gold chain necklace, looking in horror at the Altar of Big Crypto showing he has lost. The cover artwork is mostly red, orange, and yellow. Bad Luck
The cover artwork of Smartass Smarthomes, showing Mei the anthropomorphic cartoon panda angrily locked out of her apartment while her smart devices trash her apartment and live-stream it to trolls online. Smartass Smarthomes
The cover artwork of Smellody, showing Melody the anthropomorphic cartoon skunk playing her guitar in the Smellville aromatherapy store full of bottles and flowers while Melville sniffs a rose off to the left. Smellody
The cover artwork of Smellville, showing Melville the anthropomorphic cartoon skunk in his titular store full of aromatherapy bottles and flowers, holding and smelling a rose while Melody plays the guitar off to the right. Smellville
The cover artwork of Smellville and Smellody, showing Melville the anthropomorphic cartoon skunk in his titular store full of aromatherapy bottles and flowers, holding and smelling a rose while Melody sits in a beanbag by the window playing her guitar off to the right. Smellville and Smellody EP
The cover artwork of Hoodie Rave, showing numerous anthropomorphic cartoon animal characters all wearing hoodies dancing at a rave, taken from the perspective of Mei the panda's selfie camera. Hoodie Rave
The cover artwork of Cried, showing Melville the anthropomorphic cartoon skunk crying in a train while it's raining outside. Melissa and Melody comfort him. Cried
The cover artwork of Quokkium, showing Catherine, Armstrong, and Geordie, three anthropomorphic cartoon quokkas wearing lab coats, looking up at a Quokkium atom as a golden smiling quokka head within three atomic bands. Quokkium
The cover artwork of Rottnest Island stylised like a photo scrapbook, showing Wilson the anthropomorphic cartoon quokka wearing brimmed top hat and green buttoned shirt taking a selfie on a beach at Rottnest Island and flashing a peace sign by a palm tree. Rottnest Island
The cover artwork of 2022 OVERVIEW, showing a chaotic cartoon collage of the events of the second half of 2022 in black-and-blue colour scheme. 2022 OVERVIEW
The cover artwork of The Singularity showing Rocky the anthropomorphic cartoon raccoon wearing a green hoodie and blue AR Visionaria glasses, looking up at a tall tower with thunder spiralling down and around it. The Singularity
The cover artwork of I Need Music showing Oskar the anthropomorphic cartoon squirrel laughing behind a keyboard and in front of glowing blue server racks, while a twisted path behind him leads to a glowing door with a cloud symbol and "SC" initials above it. To his left is social media dialogue on 2Square where Oskar pretends to be a professional music promoter and tries scamming someone into buying fake promotion packages. I Need New Music
The cover artwork of Audio's Amigos, showing three anthropomorphic cartoon animal characters as calavera skeletons with floral patterns on their skulls, sitting by a purple lake playing the guitar. Audio's Amigos
The cover artwork of Diso Destrutcoin, showing MOULE the anthropomorphic cartoon mule wearing a blue hoodie and grey pants and blue shoes, kicking a CMYK-patterned disco ball to pieces against s yellow background. Disco Desrtuction
The cover artwork of Smashing Boxes showing OpDaMyZr the anthropomorphic cartoon fox in pixel art style jumping and hitting orange boxes with yellow symbols on them in front of a light-blue background. Smashing Boxes
he cover artwork of Superhero, showing Super Penguin the anthropomorphic cartoon macaroni penguin superhero belly-sliding off a building as six warplanes fly behind her. The cover artwork is in comic-book style. Superhero
The cover artwork of Visionaria, showing Robin the Fox wearing his titular glasses. The cover artwork is colour-schemed light blue, white, and black, and the text "VISIONARIA" repeats diagonally in the background. Visionaria
The cover artwork of Space Race, showing Armstrong the anthropomorphic cartoon quokka wearing a space suit in the cockpit of a rocket with the title of this track on it, racing other quokkas in other rockets behind him. Cover art is mostly orange, white and grey with a blue sky background. Space Race
The cover artwork of Here For It, showing 10 anthropomorphic animal characters posing for a selfie while warplanes, explosions, fireballs and tidal waves happen in the background. Here For It
The cover artwork of Purple showing Cockburn the anthropomorphic bear flashing a peace sign in front of a synthwave sun and checkerboard background. The cover art is mostly purple-tinged. Purple
The cover artwork of Waterslide, showing eight anthropomorphic cartoon animal characters happily sliding down a waterslide. Waterslide
The cover artwork for the Enjoy the Ride album, showing numerous MOULE WORLD anthropomorphic cartoon animal characters excitedly riding down a roller coaster as explosions and warplanes are seen inthe background. The cover artwork is colour-schemed yellow, orange, light blue, dark blue, black, and white. Enjoy the Ride (Album)
The cover artwork of 2022 OVERTURN showing a chaotic cartoon collage of the events of the first half of 2022 in khaki-and-black colour scheme. 2022 OVERTURN
The cover artwork of Super Sky Battle Royale showing six colourful cartoon warplanes – three belong to GLHF, the other there belong to Brook, Ecstatica and Hyper Hyena respectively – in battle in the eponymous Super Sky. The title stretches diagonally across the cover artwork. Super Sky Battle Royale
The cover artwork of Twosday, showing Robert the anthropomorphic cartoon rabbit flashing two peace signs in front of the date February 22, 2022. The cover art is a CMYK colour scheme. Twosday
Cover art of Non-Fungible Trash for the Non-Fungible Trash Panda, showing an anthropomorphic cartoon raccoon called The Trash Panda looking over his shoulder as he screenshots an NFT while his computer is on fire. Non-Fungible Trash for the Non-Fungible Trash Panda
Cover art of Victory, showing numerous anthropomorphic cartoon animal characters all flashing peace hand signs as a giant black swan overlooks them all. Victory
Cover art of Arctic showing Brook the white Alaskan Malamute wearing blue skiing gear skiing down a snowy mountain with a faint aurora and igloo in the background. Arctic
Cover art of 2021 OVERCOME showing the events of the second half of 2021 in a chaotic light-green-and-black cartoon collage. 2021 OVERCOME
Cover art of Nightlife showing Melville and Melissa, two anthropomorphic cartoon animal characters, walking past a traffic light in a mostly empty city at night. Nightlife
Cover art of LET'S GOOOOOOO!!, showing Hyper Hyena the anthropomorphic cartoon purple hyena with lime green visor and tank top, excitedly drumming on her drums to a rhythm game. The cover artwork is mostly purple and green and has a chaotic vibe to it. LET'S GOOOOOOO!!
Cover art of Not Mussel showing a mussel behind a prohibition sign. Cover artwork is mostly blue with the mussel and logo and title in black. Not Mussel
Cover art of Castle Chiroptera, showing Count Chiroptera the anthropomorphic cartoon bat dressed up like a vampire in front of a castle beneath stormy skies. The cover art is mostly red and black with occasional tinges of white. Castle Chiroptera
Cover art of Sequoia showing five anthropomorphic cartoon animal characters sitting high up on sequoia branches while a sun's vibrant rays shine through the background. The cover artwork is mostly orange-coloured.) Sequoia
Cover art of Passion, a blue, white and black colour-schemed artwork showing William the anthropomorphic cartoon athlete cheetah happily running towards the right of the image. Passion
Cover art of Coronathletics showing five anthropomorphic cartoon animal characters dressed up like athletes and infection control people running, jumping, and cycling in a stadium. Coronathletics
Cover art of 2021 OVERRUN, showing the events of the first half of 2021, such as the ship that got stuck in the Suez Canal, in a chaotic orange-and-black collage. 2021 OVERRUN
Cover art of Panthalassa, a mostly light blue cover artwork showing a dolphin jumping over a globe. Panthalassa
Cover art of Panthalassa (Remix) a mostly light blue cover artwork showing four dolphins jumping over a 16-pointed compass in the centre. Panthalassa (Remix)
Cover art of Lazy Afternoon, showing Cockburn the anthropomorphic cartoon bear with blue hoodie and dark grey tracksuit pants and black socks, lounging on red couch in a purple room beneath a window with houses visible and sunlight shining through. Cockburn indifferently scrolls his phone. Lazy Afternoon
Cover art of California Grizzly showing Tom the grizzly bear skateboarding at the beach by two palm trees during a synthwave orange-and-purple-sky sunset while two of his friends watch on. California Grizzly
Cover art of Unlimited Data showing the anthropomorphic cartoon animal characters Delgado the bull, Rocky the raccoon, and Melody the skunk happily jumping holding technology in front of a cartoony lime-green-and-cyan city with crooked buildings, cell towers and satellites. They are jumping on a lime green planet with another fainter light-blue orb behind them and the buildings symbolising the Internet. Unlimited Data
Cover art of Duck Army showing a crowd of over a hundred mallard ducks marching towards the viewer walking between two lakes, with a black swan in the left one, under lush tree canopies. Duck Army
Cover art of A League of My Own, showing MOULE the anthropomorphic cartoon mule with his back turned towards the viewer wearing a blue hoodie walking down a dark road at night. The cover artwork has a mostly black with blue and white colour scheme. A League of My Own
Cover art of Daybreak, showing Mersey the anthropomorphic penguin riding a bicycle next to the beach. Daybreak
Cover art of Zero Gravity, showing Armstrong the anthropomorphic cartoon quokka wearing a spacesuit tethered to a satellite and happily floating above Rottnest Island. Zero Gravity
Cover art of Sonar, showing futuristic-looking blue sonar imagery and symbols. Sonar
Cover art of Enjoy the Ride, showing numerous colourful anthropomorphic cartoon animal characters riding a roller coaster with expressions varying from excited to fearful, as explosions and warplanes and fire occur in the background. Enjoy the Ride (Single)
Cover art of The Boy Who Cried ICBM showing an anthropomorphic bear character panicking as an emergency alert reading "BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL." is below them. An erupting volcano, tsunami, strong winds, and orange sky with nuclear symbol are also present in the background and even the MOULE logo is panicking. The Boy Who Cried ICBM
The cover artwork of Happy New Year, pop-art style art showing the Swan River and City of Perth, Australia with light blue, dark blue, an d white colour scheme as sunrays shine behind the city. Happy New Year
The cover artwork for 2020 OVERKILL, a chaotic black-and-red cartoon collage of the events of the second half of 2020. 2020 OVERKILL
The cover artwork of New Year's Eve, pop art showing the Swan River and the City of Perth in pop-art style with yellow, pink, light blue and purple colour scheme as fireworks explode colourful rays in the sky above it. New Year's Eve
The cover artwork of Ecstatica, showing the titular anthropomorphic cartoon reindeer wearing a brown hoodie dancing in fronton a snowy white forest with red and green diagonal stripes in the upper-right corner behind her. Ecstatica
The cover artwork of Trash FROM the Trash Panda showing the titular anthropomorphic raccoon holding a red trash can of presents in front of a green dumpster full of more presents while wearing a red Santa hat. Trash FROM the Trash Panda
The cover artwork of Overclocked showing an exposed CPU on a blue motherboard surrounded by chips and capacitors. Overclocked
The cover artwork of Siberia, showing a blue river weaving between two trees leading to more trees in the mountains in the background in front of a giant sun. The logo and title are in the centre. The cover artwork's a mostly light blue colour scheme. Siberia
The cover artwork of Lethal Cuteness, showing Amanda the anthropomorphic dark-grey-and-white tuxedo cat grinning holding a dead mouse in front of a pink background. Lethal Cuteness
The cover artwork of Occultation showing an astrological chart and planetary configurations opposite a black background with Earth in the centre. Occultation
The cover artwork of Chimera, showing an anthropomorphic animal character divided into eight parts. Clockwise from the top: a bull, raccoon, skunk, bear, black swan, squirrel, panda, and mule respectively. The colours of the background eighths are the colours of the species in the eighth opposite them. Chimera
The cover artwork of Citadel, showing a light blue citadel overlooking some blue mountains with a circular white sun in the corner. The core artwork is mostly light-blue and the citadel blends in with the sky somewhat. Citadel
The cover artwork of Norilsk, showing a roundabout and four buildings in the titular Arctic city stylised as vector art. The cover artwork has a frosty cold faint blue aura. Two smoke stacks and power lines can be seen in t he background. Norilsk
The cover artwork of Dark Forest, a digitally-altered photo of bushland flipped upside down on itself with a dark foreground and a glowing cyan background behind the trees in the distance. Dark Forest
The cover artwork of GLHF (the track, not the album) showing OpDaMyZr the anthropomorphic gamer fox wearing a VR headset and a jacket with the number 6 on it by a keyboard in a soundproofed room. The cover art has an overall orange-and-black colour scheme. GLHF (Single)
The cover artwork of Surreality, showing a glitchy world map with altered borders upside down against an abstract pink background. The title and logo are backwards. Surreality
The cover artwork of VICE, showing a purple-tinged street by the beach surrounded by palm trees leading to a synthwave sun. The title and logo are on neon pink and light blue triangles. VICE
The cover artwork of PARTY ANIMAL, showing an anthropomorphic cartoon lion with a rainbow mane and party hat and bright green glasses poking his tongue out close to the foreground. PARTY ANIMAL
The cover artwork of Ping, showing 49 blue and white radar circles within a 7-by-7 square against a black background. Ping
The cover artwork of Dreamland, showing a blue and white diagonal line holding a blue sphere between them with a small white orb to the big blue sphere's upper-left against a smoky black background. Dreamland
The cover artwork of Trash for the Trash Panda, showing the titular anthropomorphic raccoon picking uo a garbage can while being spotted by a spotlight in a greyscale alleyway. Trash for the Trash Panda
The cover artwork of Hodgepodge, showing a mostly green-and-orange abstract artwork of numerous balls with the title and logo in the centre in a diamond. Hodgepodge
The cover artwork for We're the Same Species, showing six interlocked hands and arms of various skin tones within a circle over a gradient blue-to-green geometric background. We're The Same Species
The cover artwork for Department of Transformation showing a CMYK ribbon bouncing off the leftmost part in the background, and towards the rightmost part in the foreground, of the cover artwork respectively in front of a white background. Department of Transformation
The cover artwork for Time Flies, showing a cyan, magenta, and yellow-coloured clock outline with 16 hours on it and three hands pointing at 2, 8, and 9 clockwise from the top respectively, on a black smoky background. Time Flies
The cover artwork for 2020 OVERTURE, showing a huge virus icon erupting out of a volcano with fire below. The cover art has a black-on-yellow colour scheme and the MOULE logo is wearing a protective face mask and eye goggles. 2020 OVERTURE
The cover artwork for Black Swan, showing the titular swan made up of shiny triangles facing leftwards in front of a dark blue background. Black Swan
The cover artwork for Island within an Island, showing a smaller island within a larger ring-shaped island surrounded by vast swathes of ocean. The MOULE logo and title are above and below the cover artwork respectively with heavily spaced-apart letters. Island within an Island
The cover artwork for Cockburn Central, showing an empty interior of a Transberth B-Series train with parallel seats, tinged heavily in purple, as the titular anthropomorphic cartoon bear Cockburn with hoodie and pants sits relaxed to the left listening to music. Cockburn Central
The cover artwork for Friday the 27th, showing the MOULE logo and title surrounded by a colourful circle border. Friday the 27th
The cover artwork for Yggdrasil Fall: an orange squirrel runs up a tree and looks over its shoulder back at the setting sun over the hills in the background, whose vibrant golden rays illuminate the red, yellow, and green leaves on the tree. Yggdrasil Fall
The cover artwork for It's Your Planet Too: flat artwork of the planet Earth viewed over the Atlantic Ocean, with crimson-coloured continents and teal water against a beige background. It's Your Planet Too
The cover artwork for Leaper: a yellow rabbit silhouette jumps over the MOULE logo and divided the background into solid teal, dark blue, and red parts, with a calendar reading "FEB 29" behind it. Leaper
The cover artwork for Pyramid Scheme: a large white triangle outline with smaller white triangle outlines inside of it on a fuchsia-yellow-coloured circular gradient background. Pyramid Scheme
The cover artwork for Totem: a lavender-blue-coloured artwork of a path winding between pine trees in a forest with a four-pointed glowing star in the sky above and some hills in the background. Totem
The cover artwork for Styx: a depiction of the titular underworld river of magma weaving between two barren lands and two dead trees, leading to a fiery volcano in the background. Styx
The cover artwork for Indigo: a photo of the water of a sparkling pool but hue-shifted to be indigo-coloured, with the MOULE logo and the word "Indigo" in the centre of it. Indigo
The cover artwork for Aquatic: a photo of the water of a sparkling light-blue pool with the MOULE logo and the word "Aquatic" in the centre of it. Aquatic
The cover artwork for Amazonas: a green geometric yellow-naped parrot facing left within the outline of the state of Amazonas, Brazil. The cover artwork is mostly green-coloured. Amazonas
The cover artwork for Foxes: a geometric fox head facing left in front of a purple-orange gradient background. Foxes
The cover artwork for Quetzal: a geometric quetzal flying right against a faint yellow-green background. Quetzal
The cover artwork for Halcyon: a geometric blue common kingfisher flying right against a white background. Halcyon

MOULE

Hi! I'm MOULE (pronounced "MOOL" or "MOOLY" - I don't mind which!) – I'm a multi-genre electronic musician and digital artist, and this is my multi-genre world-building project MOULE WORLD: a creative transmedia storytelling and worldbuilding project about trying to get by in a world sitting on the precipice of digital armageddon. Can the Cyber Threat Resistance League fight the Bugs, save Rocky, and stop The Singularity from destroying the world before its too late?!

I've been producing multi-genre electronic music and digital art since 2015 and came up with the name "MOULE" (pronounced "MOOL" or "MOOLY" - I don't mind which!) in August 2017. It's an alternate spelling of "mule", a hybrid work animal, symbolising my work ethic and making music that's stubbornly hybrid, refusing to stay in one genre. "MOULE" is also the word alphabetically after "MOULD" symbolising me being "outside-the-mould" and disinterested in fitting in harmful and restrictive "norms". I choose to write "MOULE" and "MOULE WORLD" in all caps since I just love it like that. The extra "O" conveniently allows me to stick a mule's head out of it as my logo!

In December 2019, I had 110 finished tracks and thought that I'm sitting on so much music, I really need to overcome my fears and share it." So I chose the date of January 1, 2020 (conveniently right at the start of the decade – I thought it'd be a cool start date) to overcome my self-doubt and worries about sharing my work online, starting out on Bandcamp and my (now-deleted) Twitter account. I also released my first track "Halcyon" on that day, so January 1, 2020 is known in MOULE WORLD lore as "Halcyon Day" or "H" for short.

I started by releasing generic abstract artwork and simple tunes to Bandcamp, then in August 2020 joined DistroKid to branch out to other services like Spotify etc, gradually gaining the confidence to share my more unique music and cartoony art style along the way.

In mid-2021, the animal characters from my artworks began getting their own names, personalities, and backstories, and my music began soundtracking a world I now call MOULE WORLD! For all MOULE links, visit MOULE.WORLD!

(IMPORTANT NOTE: The descriptions for all tracks above were copied and pasted from their Bandcamp pages, and due to the sheer number of releases I have it's unlikely they'll be edited again or be consistent format-wise with other tracks' descriptions. For more up-to-date information on a track, consult its page on the MOULE WORLD Wiki.)

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